Oops I Did It Again Two Word Vocabulary
| Oops!... I Did It Again | ||||
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 | ||||
| Studio album by Britney Spears | ||||
| Released | May three, 2000 (2000-05-03) | |||
| Recorded | 1999–2000 | |||
| Studio |
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| Genre |
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| Length | 44:37 | |||
| Label | Jive | |||
| Producer |
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| Britney Spears chronology | ||||
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| Singles from Oops!... I Did Information technology Again | ||||
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Oops!... I Did Information technology Once again is the 2d studio album by American singer Britney Spears released on May three, 2000, through Jive Records. Though much in the vein of her debut album ...Baby One More Time (1999), it is a pop, dance-pop, and teen pop record, the album incorporates a more funkier and R&B sounds.[1] Contributions to the album's product came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[2]
Upon its release, Oops!... I Did It Over again received positive reviews from music critics, who praised its production, sonic quality and Spears' vocal performance. The anthology became a massive commercial success, debuting at number one in over twenty countries while peaking within the tiptop five in diverse other. In the United States, information technology debuted at number one on the Billboard 200, with first-week sales of i.39 million copies, condign the fastest selling album by a female creative person since Nielsen SoundScan began tracking point-of-sale music purchases in 1991.[3] This tape was cleaved fifteen years later by Adele's 25, which sold over iii.38 meg copies in its first week of release.[4] It became Spears' 2nd consecutive album to be certified Diamond by the Recording Manufacture Association of America, denoting sales of over 10 million copies in the United states of america, making Spears at historic period 18 the youngest creative person to have multiple diamond albums.[five] With worldwide sales of over 20 meg copies,[6] Oops!... I Did It Once again is i of the best-selling albums of all-fourth dimension.
Four singles were released to promote the album. Its title track was commercially successful in a number of territories, reaching number one in xv countries and peaking at number nine on the The states Billboard Hot 100. Its second single, "Lucky", peaked at number ane in Austria, Germany, Sweden and Switzerland, within the top 10 in Commonwealth of australia, Belgium, Canada, Denmark, Republic of ireland, Italy, the Netherlands, New Zealand, Norway, Poland, Romania and the U.k., and at number twenty-3 on the The states Billboard Hot 100. Its tertiary single, "Stronger", reached the top ten in Austria, Finland, Germany, Poland, Romania, Sweden, Switzerland and the United Kingdom, and peaked at number eleven on the U.s.a. Billboard Hot 100. "Stronger" became the highest-selling unmarried off the album, receiving a Gold certification in Australia, Denmark, Frg, New Zealand, Sweden, and the U.s.a.. Its terminal unmarried, "Don't Let Me Exist the Last to Know", was moderately successful on the charts, peaking at number ane in Romania, and within the top x in Austria, Poland, and Switzerland, simply failed to chart on the U.s.a. Billboard Hot 100. To promote the anthology, Spears performed on several television shows and laurels ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She also was the host and musical guest for the showtime fourth dimension on Sabbatum Night Alive. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did It Over again Bout, starting on June xx, 2000 and ending at the Rock in Rio festival on January 18, 2001.
Recording and product [edit]
"When I did the kickoff anthology, I had just turned 16. I mean, when I wait at the album cover, I'grand similar, 'Oh, my lordy.' I know this next album'due south going to be totally different--especially the material. I just got finished recording the first half-dozen tracks in Sweden 2 months ago, and the material is so much more than funkier and edgier. And, of course, it'due south more mature because I've grown every bit a person too."
—Spears on the progression of her material for the album.[vii]
Subsequently vacationing for six days following the completion of the ...Baby One More Time Bout in September 1999,[8] Spears returned to New York Metropolis to begin recording songs for her side by side album; the majority of the recording took place in November. Information technology featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did It Again", "Walk on By" (later covered by Gareth Gates), "What U See (Is What U Get)", and "Don't Go Knockin' on My Door" were the first to exist recorded at Martin's Cheiron Studios in the outset week of November; followed past "Stronger" and "Lucky", which were finalized (along with the title track) in January 2000. Spears recorded "Don't Let Me Be the Final to Know" at Robert Lange's villa in Switzerland in December 1999; Lange produced the song.[10] "Where Are You lot Now" was an outtake from ...Baby One More than Time. "Girl in the Mirror" and "Tin can't Brand You Love Me"'s instrumental track and tune were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-Jan at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking upwardly with producer Steve Lunt to record Diane Warren's "When Your Eyes Say It" at Battery Studios on Friday, Jan 28, 2000, which preceded her TRL appearance that mean solar day. "One Osculation from You" was also recorded at Bombardment Studios but was later finished at 3rd Floor in New York Metropolis. Spears also recorded the last runway for the album "Love Diary" which would later be completed at E Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Another song recorded during these sessions was "Heart". Her cover of "(I Can't Get No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during Feb 24–26, 2000 subsequently attending the 42nd Almanac Grammy Awards.[13] [fourteen]
By January, the then-untitled album was halfway to completion; Spears had worked on it primarily in the U.s.a. and Sweden, and finalized material in New York Metropolis.[ix] She was heavily pressured later ...Baby I More than Time 'southward huge commercial success, stating: "Information technology'due south kind of difficult post-obit ten one thousand thousand, I take to say. Just later listening to the new material and recording information technology, I'chiliad actually confident with it."[15] Upon the release of Oops!...I Did It Again, Spears said: "I mean, of course at that place's some pressure", and added: "But in my opinion, [Oops!] is a lot meliorate than the first album. It's edgier – it has more of an attitude. It's more than me, and I call back teenagers will relate to it more." Geoff Mayfield, manager of Billboard charts, added that the conclusion to release Oops!... I Did It Once again less than a yr and a half after Spears' debut amounts to "very smart timing. My philosophy is when you have a immature fan base, become 'em while they're hot."[16]
Music and lyrics [edit]
Oops!... I Did It Again was considered as a sequel to Spears' debut album, ...Babe One More Time (1999),[1] percolating with a advisedly measured blend of familiar pop, funk, R&B and power balladry.[17] Spears said during an interview that the album has a more mature, R&B-flavored pop sound. "It's not something I inverse purposefully", Spears said of the album's sound and added: "It's simply something that kind of changed on itself with me beingness older. My vocalisation has inverse a little bit and I'1000 more confident, and I think that comes across on the material."[7] 1 of its producers, Rodney "Darkchild" Jerkins talked about working with Spears on a Rolling Stones cover, stating: "It's going to shock everybody", adding: "It has flavors of the original, but it's a straight 2000 version — new to the ear. Which I think is absurd, because people who appreciate that vocal are going to love information technology. And I made it so new and young that the young kids that beloved Britney are going to dearest information technology. Information technology'southward going to grab both a mature and young audience."[18] Spears worked with Robert "Mutt" Lange on "Don't Allow Me Be the Last to Know", telling MTV News: "When you hear the song, it's and then pure and delicate. Information technology'due south just one of those songs that pull yous in", and added: "I retrieve they wrote it 'specially for me, because the lyrics of the vocal, if y'all really listen … they're more of what I can relate to, 'crusade they're kind of immature lyrics, I think. I don't think Shania would probably sing some of the words that I'g saying."[eighteen]
The title track and opening song, "Oops!... I Did It Again", was compared to her debut unmarried, "...Babe One More Time" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized beat. Lyrically, the song sees Spears alert to an overeager prospective lover: "Oops, yous think I'm in love/That I'k sent from above — I'k non that innocent."[19] The song also breaks downwards for a spoken-word interlude, involving a line from the film Titanic (1997).[19] The second track "Stronger" is a synthpop[twenty] and R&B-infused runway,[18] which is lyrically a declaration of independence, where Spears leaves a partner who treats her like property.[21] The line "my loneliness ain't killing me no more" makes reference to the poesy "my loneliness is killing me" from her song "...Baby One More than Time".[18] Some other R&B-infused track, which also adds a bit more funk to the mix,[18] "Don't Go Knocking on My Door" finds Spears confidently forging ahead after a breakup.[21] The quaternary track, a cover of the Rolling Stones' "(I Can't Get No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry, crackling lockstep is thrown down, turning the song into an urban stomp.[22] The dance-pop version also jettisons the song's final poetry and adds some new lyrics[18] ("how white my shirts could exist" becomes "how tight my skirt should be").[23] "[It] was my idea [to record the song]", Spears said. "I was just like, 'I like this vocal,' and I think it will be a actually cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky song like that."[24] The fifth track, "Don't Let Me Be the Terminal to Know", was co-written by country-popular singer-songwriter Shania Twain and her then-husband, producer Robert "Mutt" Lange, who also produced the track.[18] The ballad, which boasts a slinky keyboard riff and Lange's characteristically lavish production, finds Spears allowing a flake of country twang into her vocals as she begs a lover to reveal his feelings: "My friends say yous're into me ... but I need to hear it straight from you", she sings.[18]
The sixth runway "What U See (Is What U Go)" demands respect by rebuking a jealous partner,[21] while the 7th rail, "Lucky", is a heart-rending tale of a Hollywood starlet's loneliness, proving that fame can exist empty.[21] "If there's cipher missing in my life/Then why do these tears come at night?", she asks.[xx] "School trounce" is the theme of "1 Osculation from You",[21] a rails that has a reggae-style trounce and lyrics about the feelings of falling in love, and the quickness of information technology,[25] with Spears cooing that after only one buss she sees her unabridged future with her lover.[26] The ballad "Where Are Yous Now" talks about wanting to know where a previous love is, and what that person is upwards to, then that she can finally let them become and find closure.[ commendation needed ] Lines on "Can't Make You Beloved Me", a Europop song,[22] state that fancy cars and money pale in comparison to true love,[21] with Spears singing: "I'yard just a daughter with a crush on you."[22] The mid-tempo, synth-backed "When Your Eyes Say It", written past songwriter Diane Warren, combines a string section with a loping hip hop beat,[18] while Spears makes her ain songwriting debut on the modest, keyboard-driven ballad "Dear Diary", which she said is autobiographical. On the track, she sings of wanting to become "so much more than than friends" with a boy.[eighteen]
Release and promotion [edit]
In belatedly 1999, Spears promoted her upcoming album in Europe with live performances of her past songs. She appeared on Boom Hits in the United Kingdom.[27] In Italian republic, she did a brusque interview on the boob tube show TRL Italy in early 2000.[27] and gave a surprise performance in Paris in May 2000.[28] In Australia, Spears appeared on The House of Hits and Russell Gilbert Live on May thirteen.[27] In Espana, she gave an interview with El Rayo on September 8 and Oct 24.[27] Spears performed at large venues in the U.k., including Birmingham, the Wembley Arena in London, and the Manchester Evening News Arena. She was accompanied by NSYNC, who toured with her during a brusk United Kingdom outing in Oct 2000.[28]
Oops!... I Did Information technology Over again was start released in Japan on May 3, 2000, and was later released in the United States on May 16. In the United states of america, Spears appeared on Saturday Dark Alive on May 13, The Rosie O'Donnell Evidence on May 15, and Teen People'south 25 Under 25 on May 26.[29] On May 10, she was interviewed on Late Night with Conan O'Brien.[27] On May 13, Spears was both the host and musical guest on NBC'southward Saturday Night Live. She besides performed on NBC's The Tonight Show with Jay Leno on May 23.[30] Spears' held her mail-TRL listening party, "Britney's Offset Listen", on May 16, and was toast the inflow of her album on next Tuesday'due south installment of TRL that started at 3:30 p.m. (ET).[31] On May 14, she was at Times Square studios for two hours of "Britney Live" that started at apex.[31] Spears performed "Oops!... I Did It Again" on MTV's All Access: Backstage with Britney that was broadcast on July 19, 2000.[27] On September seven, at the 2000 MTV Video Music Awards in New York Urban center at the Radio City Music Hall, Spears gave a memorable live functioning.[32] which included a comprehend of the Rolling Stones'southward hit single "(I Can't Get No) Satisfaction" (1965) and her own striking "Oops!... I Did It Again", released earlier that yr. While she began her segment in a black accommodate, she shocked the audience and the media while, at but the age of eighteen, ripped it off to display a revealing, flesh-colored stage outfit with hundreds of strategically placed Swarovski crystals.[33] One month before the release of the album, Spears headed to Hawaii on Easter Sunday so she could tape a Fox boob tube special titled Britney Spears in Hawaii. The free concert was held on the beach in front of the Hilton Hawaiian Hamlet lagoon in Honolulu, Hawaii.[34] The Play a joke on concert event was intended to serve as a preview of Spears' Oops!... I Did It Again album that features her twelve new songs.[34] Spears had on a month-long international promotional tour in support of Oops!... I Did Information technology Once again, and on May two, she had a press upshot at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[35] Spears was also amidst the scheduled performers on the 42nd Annual Grammy Awards, which aired on CBS at eight p.g. (ET/PT).[36] She was also expected to appear on a Grammy-day TRL.[36]
The album'due south supporting tour, the Oops!... I Did Information technology Once again Tour, visited Northward America, Europe, and Brazil as part of Stone in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Once more" and "Don't Permit Me Be the Last to Know". On June 24, 2000, Spears was featured in a print and tv set advertising campaign for Clairol's Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her own vocal for the brand called "I've Got the Urge to Herbal" that was featured in threescore-second radio spots and was role of a pre-concert video presentation for Spears's fifty-metropolis summer concert tour, in which Herbal Essences was the tour sponsor.
Singles [edit]
"Oops!... I Did It Again" was released as the lead single from the anthology and achieved worldwide popularity. It became Spears's third meridian-ten hit single on the US Billboard Hot 100, peaking at number nine; however, in comparison to the huge success of her debut single "...Baby One More Time", Jive Records considered "Oops!... I Did Information technology Again" a minor disappointment.[38] The song peaked at number one on the US Mainstream Pinnacle 40,[39] property the record for the about radio additions in one day. "Oops!... I Did Information technology Again" peaked atop the charts in Australia, Belgium, Canada, Italy, the netherlands, New Zealand, Norway, Poland, Romania, Spain, Sweden, Switzerland and the United Kingdom.[twoscore] An accompanying music video for "Oops!... I Did It Again" saw Spears on Mars in now-iconic ruby shiny catsuit, while she is visited by an American astronaut who hands her the fictional Heart of the Bounding main jewel which Rose threw into the sea at the finish of Titanic.[41]
The album's second unmarried, "Lucky", was released on July 25, 2000 and received positive response from the music critics, who considered one of her best offerings from the album. Commercially, "Lucky" topped the charts in Austria, Germany, Sweden and Switzerland, while reaching number five on the UK Singles Chart.[42] In the United states of america, "Lucky" only managed to acme at number 20-three on the Billboard Hot 100 chart and at number nine on the Mainstream Peak 40.[38] The "glittery" music video sees Spears equally the narrator and an actress named Lucky, who is a melancholy film star and shows her conflicted relationship to fame.[43]
The third single, "Stronger", was released on Oct 31, 2000 and became the anthology's second highest-charting single in the United States, peaking at number eleven on the Billboard Hot 100 and number one on the Hot Single Sales.[38] It reached number seven on the UK Singles Nautical chart.[44] Its music video sees Spears catching her boyfriend cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[43] while the chair sequence in the video was inspired past Janet Jackson's video for "The Pleasance Principle".[45]
The quaternary and concluding single, "Don't Let Me Be the Last to Know", was released on March 12, 2001 and is i of Spears' favorite tracks of her career. In the United States, the vocal performed well below expectations, failing to chart on the Billboard Hot 100 nor the Mainstream Top xl. However, the song attained success in Europe, topping the Romanian Top 100 and peaking inside the elevation x in Austria, Poland and Switzerland, while just missing the elevation ten in Germany, Republic of ireland, Sweden and the U.k., peaking at number twelve in all of them.[46] The music video was considered likewise racy at the time, portraying Spears in love scenes with her fictional fellow, played by French model Brice Durand.[47]
"Yous Got It All" received a promotional release in France in May 2000. A promotional CD unmarried for "When Your Eyes Say Information technology" was released in the United kingdom in Jan 2001.[ citation needed ]
Critical reception [edit]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 72/100[49] |
| Review scores | |
| Source | Rating |
| AllMusic |   [1] |
| Billboard | favorable[17] |
| Christgau'southward Consumer Guide |  [l] |
| Entertainment Weekly | B[22] |
| Los Angeles Daily News | [51] |
| MTV Asia | eight/10[52] |
| NME | 8/x[20] |
| Rolling Stone |  [23] |
| Salon | favorable[53] |
| Sonic.internet | [54] |
Oops!... I Did It Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Again received an average score of 72, based on 12 reviews, indicating "more often than not favorable reviews".[55] Giving the album four out of 5 stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the aforementioned combination of sweetly sentimental ballads and endearingly gaudy trip the light fantastic toe-pop that made 'Ane More Time'," but remarked that, "Fortunately, she and her product squad non only have a stronger overall set up of songs this time, but they besides occasionally get carried away with the same bewildering magpie artful, [...] giv[ing] the album character apart from the well-crafted dance-pop and ballads that serve as its eye. In the end, information technology'southward what makes this an entertaining, satisfying listen."[1] Billboard magazine wrote that "'Oops!...' indicates that she'south developing a soulful edge and emotional depth that can't be conjured with a drinking glass-shattering note," praising the album for consistently cast[ing] Spears every bit a young woman coming to terms with her inner ability—and that's a darn good message to offer an impressionable audience."[17] Entertainment Weekly's David Browne gave the album a B-rating, writing that the anthology "reminds us once again that the best new pop can be a boom of absurd air in a stifling room."[22]
Rob Sheffield of Rolling Stone gave the album a iii-and-a-one-half out of v stars rating, calling the anthology "fantastic pop cheese, with much improve vocal-mill hooks than 'N Sync or BSB go", also noting that "the cracking thing almost Oops!, nether the cheese surface, is complex, violent and downright scary, making her a truthful child of stone & roll tradition."[23] A writer of NME reported that "she's mod-24-hour interval pop perfection realised in a nearly, human being form", commenting that "she's washed information technology over again."[20] Lennat Mak of MTV Asia named it "a brilliant 2nd album", writing that Spears "is armed with a more mature and seasoned pop star look, stronger and poppier songs, and of grade, extensive media exposure."[52] Andy Battaglia of Salon called the album "a masterpiece of sorts not for its message but for the way it applies the conventions of the pop-musical medium."[53] Website The A.V. Club was more mixed, calling it "a joyless bit of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks equally Diane Warren and assorted Swedes."[56]
Accolades [edit]
Commercial operation [edit]
In the United States, Oops!... I Did Information technology Again reportedly sold 500,000 copies in its showtime twenty-four hour period of release.[62] It debuted at number one on the Billboard 200 nautical chart, with first-week sales of 1,319,193 copies.[63] [64] [65] With its success, Spears held the record for the highest first-calendar week sales past a female artist.[66] This record was held for 15 years, only to be surpassed in November 2015 by the album 25 past Adele, which sold over 3.38 million albums in the United States in its first week.[4] The anthology fell to number two in its 2d week, with additional sales of 612,000 copies.[67] It held this position for fifteen sequent weeks.[68] [69] Past its fifth week of availability, Oops!... I Did It Again had sold over three million copies and had passed five million copies by August.[70] On its seventeenth calendar week on the chart,[71] it was certified septuple Platinum by the Recording Industry Association of America (RIAA) for shipments of seven meg units.[72] [73] The album spent lxxx-iv weeks on the Billboard 200, thirty-1 weeks on the Canadian Albums Nautical chart, and two weeks on the The states Catalog Albums.[74] Oops!... I Did It Again debuted at number lxxx-two on the European Peak 100 Albums, and quickly peaked at number i;[75] it sold over four one thousand thousand copies within the continent, being certified four-times Platinum by the International Federation of the Phonographic Manufacture.[76] Oops!... I Did Information technology Again reached number two on the UK Albums Chart,[twoscore] selling 88,000 copies in the beginning week of release; it remained in the pinnacle five for iv weeks. The anthology debuted at number one in Canada, selling 95,275 copies in its first week.[77]
Information technology topped the French Albums Chart[78] and the German Offizielle Top 100, also being certified triple Platinum past the British Phonographic Industry (BPI),[79] double Gold by the Syndicat National de fifty'Édition Phonographique (SNEP)[80] and triple Platinum by Bundesverband Musikindustrie (BVMI),[81] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number two on the Australian Albums Chart, and spent ten weeks in the summit twenty;[82] it became the fourteenth highest-selling of 2000 in the country and was certified double Platinum by the Australian Recording Industry Clan (ARIA) the following year later on shipping 140,000 copies to retailers.[83] [84] Oops!... I Did Information technology Once more opened at number three on the New Zealand Albums Chart and was certified Gold subsequently just one calendar week on the chart.[85] The Recording Industry Clan of New Zealand (RIANZ) ultimately certified it double Platinum.[86] Oops!... I Did It Again became the third best-selling album of 2000 in the United States, selling 7,893,544 albums according to Nielsen SoundScan[87] and fourth acknowledged album according to Billboard Twelvemonth-End of 2000.[88] On January 24, 2005, the album was certified decuple Platinum (Diamond) past the Recording Industry Association of America (RIAA).[89] [90] Also, the album landed at number twenty-vii on BMG Music Club best best-sellers list with 1.21 million units, behind Shania Twain'southward The Adult female in Me (1.24 one thousand thousand) and Nirvana's Nevermind (i.24 1000000).[91] As of July 2009, the album has sold 9,184,000 copies in the United States, excluded copies sold through clubs, such as the BMG Music Service.[92] Worldwide, Oops!... I Did It Again sold 2.5 million copies in its kickoff week (second highest first week sales by a female person artist worldwide) and sold 15 one thousand thousand copies by the end of the year. Information technology was the best-selling female anthology and 3rd all-time selling anthology of 2000. The anthology has sold 20 one thousand thousand copies worldwide.[half dozen]
Controversy [edit]
Musicians Michael Cottril and Lawrence Wnukowski filed a copyright example confronting Spears, Zomba Recording Corporation, Jive Records, Wright Amusement Group and BMG Music Publishing, claiming Spears' "What U See (Is What U Get)" and "Can't Brand You Love Me" are "virtually identical" to 1 of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What Yous See Is What Y'all Go" in 1999 to 1 of Spears' representatives for consideration on a future album, though it was rejected.[93] The instance was after dismissed after it was ruled that they lacked sufficient evidence and that there "weren't enough similarities between the ii songs to prove copyright infringement."[94]
Rail listing [edit]
| No. | Championship | Author(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Oops!... I Did It Once more" |
|
| three:31 |
| 2. | "Stronger" |
|
| 3:23 |
| 3. | "Don't Go Knockin' on My Door" |
|
| three:43 |
| 4. | "(I Tin't Get No) Satisfaction" |
| Rodney Jerkins | iv:23 |
| 5. | "Don't Let Me Be the Last to Know" |
| Lange | iii:50 |
| 6. | "What U See (Is What U Get)" |
|
| iii:36 |
| 7. | "Lucky" |
|
| iii:26 |
| viii. | "One Buss from You lot" | Steve Lunt |
| three:23 |
| 9. | "Where Are You Now" |
|
| 4:39 |
| ten. | "Can't Make You Love Me" |
|
| 3:17 |
| 11. | "When Your Eyes Say It" | Diane Warren |
| 4:29 |
| 12. | "Dear Diary" |
|
| two:46 |
| Total length: | 44:37 | |||
| No. | Title | Author(s) | Producer(s) | Length |
|---|---|---|---|---|
| 12. | "Daughter in the Mirror" | Elofsson |
| four:06 |
| xiii. | "Dear Diary" |
|
| two:46 |
| Total length: | 48:24 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| xi. | "When Your Eyes Say It" | Warren |
| 4:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| 3:36 |
| 13. | "Yous Got Information technology All" | Rupert Holmes | Eric Foster White | 4:43 |
| 14. | "Honey Diary" |
|
| 2:46 |
| Total length: | 52:33 | |||
| No. | Title | Author(s) | Producer(southward) | Length |
|---|---|---|---|---|
| 11. | "When Your Optics Say It" | Warren |
| 4:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| 3:36 |
| 13. | "You Got It All" | Holmes | White | 4:10 |
| 14. | "Centre" |
|
| 3:31 |
| 15. | "Dearest Diary" |
|
| 2:46 |
| Total length: | 55:34 | |||
| No. | Title | Length |
|---|---|---|
| 1. | "Don't Allow Me Be the Terminal to Know" (Album version) | iii:fifty |
| 2. | "Don't Let Me Exist the Final to Know" (Hex Hector Radio Mix) | 4:01 |
| iii. | "Don't Allow Me Exist the Concluding to Know" (Hex Hector Order Mix) | 10:12 |
| 4. | "Stronger" (MacQuayle Mix Show Edit) | five:21 |
| 5. | "Stronger" (Pablo La Rosa's Tranceformation) | vii:21 |
| 6. | "Oops!... I Did Information technology Once more" (Music video) | 4:11 |
| 7. | "Lucky" (Music video) | iv:07 |
| 8. | "Stronger" (Music video) | 3:37 |
| nine. | "Don't Let Me Be the Terminal to Know" (Music video) | 3:51 |
| Total length: | 30:52 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Oops!... I Did Information technology Over again" (Music video) | 4:20 |
| two. | "Lucky" (Music video) | 4:14 |
| 3. | "Stronger" (Music video) | iii:47 |
| 4. | "Oops!... I Did It Once again" (Karaoke) | iv:17 |
| 5. | "Lucky" (Karaoke) | 4:18 |
| half dozen. | "Stronger" (Karaoke) | 3:46 |
| Total length: | 25:25 | |
Notes
- Runway iv, "(I Can't Get No) Satisfaction" is a cover of the 1965 Rolling Stones unmarried.
- ^a signifies a vocal producer
Personnel [edit]
Credits adapted from AllMusic.[102]
- Britney Spears – vocals, background vocals, spoken words, concept
- Steve Lunt - A&R, composer, producer, string arrangements
- Jeanne LeBlanc – cello
- Jesse Levy – cello
- Kermit Moore – cello
- Eugene J. Moye – cello
- Harvey Mason, Sr. – editing
- Bobby Brown – banana engineer
- Flip Osman – banana engineer
- Clayton Woods – assistant engineer
- Anthony Ruotolo – assistant engineer
- Alfred Bosco – assistant engineer
- Shane Stoneback – assistant engineer
- Charles McCrorey – engineer, banana engineer
- Michel Gallone – engineer, mixing engineer
- Chris Trevett – engineer, vocal engineer, mixing engineer
- Eric Gast – engineer
- Tim Donovan – engineer
- Harvey Mason, Jr. – engineer
- Dan Gellert – engineer
- John Amatiello – engineer
- Stephen George – mixing engineer
- Dexter Simmons – mixing engineer
- Chris Tergesen – string engineer
- Michael Tucker – vocal engineer
- Jackie Murphy – art direction, design
- Mark Seliger – back embrace, comprehend photo
- Larry "Rock" Campbell – bass, guitar, producer, drum programming
- Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
- Esbjörn Öhrwall – guitar
- Johan Carlberg – guitar
- Michael Thompson – guitar
- Kali – pilus stylist
- Gloria Agostini – harp
- Max Martin – keyboards, programming, producer, mixing engineer, spoken discussion
- Robert "Esmail" Jazayeri – keyboards, producer, pulsate programming
- Per Magnusson – keyboards, programming, producer, mixing engineer
- Jake – keyboards, programming, producer, mixing engineer
- Kristian Lundin – keyboards, programming, producer, mixing engineer
- Rami – keyboards, programming, producer, mixing engineer
- David Kreuger – keyboards, programming, producer, mixing engineer
- Kent Wood – keyboards
- Elan Bongiorno – brand-up
- Johnny Wright – management
- Tom Coyne – mastering
- Nigel Green – mixing
- Jon Ragel – photography
- Barry Eastmond – pianoforte, usher, keyboards, producer, engineer, orchestral arrangements
- Rodney Jerkins – producer, engineer, vocal arrangement, mixing engineer
- Robert John – producer
- Timmy Allen – producer
- Richard Meyer aka Swayd – programming
- Cory Churko – programming
- Kevin Churko – programming
- William Meade – string coordinator
- Hayley Hill – stylist
- Alfred V. Brown – viola, orchestra contractor
- Julien Barber – viola
- Olivia Koppell – viola
- Harry Zaratzian – viola
- Maxine Roach – viola
- Stephanie Baer – viola
- Richard Henrickson – violin, concertmaster
- Sanford Allen – violin
- Belinda Whitney-Barratt – violin
- Sandra Billingslea – violin
- Winterton Garvey – violin
- Gerald Tarack – violin
- Joyce Hammann – violin
- Stanley Hunte – violin
- Regis Iandiorio – violin
- Gene Orloff – violin
- Marion Pinhiero – violin
- Marti Sweetness – violin
- Amahid Ajemian – violin
- Xin Zhao – violin
- Margaret Magill – violin
- Ashley Horne – violin
- Nikki Gregoroff – background vocals
- Audrey Martells – background vocals
- Nana Hedin – background vocals
- Darryl Anthony – background vocals
- Nora Payne – background vocals
- Jeanette Söderholm – background vocals
- Therese Ancker – groundwork vocals
- Charlotte Björkman – background vocals
- Andres Von Hofsten – groundwork vocals
- Nina Woodford – background vocals
- Mona Yacoub – groundwork vocals
- Jeanette Olsson – groundwork vocals
- Stephanie Baer – background vocals
Charts [edit]
Weekly charts [edit]
| Twelvemonth-end charts [edit]
Decade-end charts [edit]
All-fourth dimension charts [edit]
|
Certifications and sales [edit]
Release history [edit]
See also [edit]
- List of acknowledged albums
- List of best-selling albums by women
- List of best-selling albums in the United states
- List of fastest-selling albums
Notes [edit]
- ^ As of Dec 2010, Oops!...I Did Information technology Again has sold 9,201,000 copies in the United States according to Nielsen SoundScan,[189] with additional 1,210,000 copies sold at BMG Music Clubs.[91] Nielsen SoundScan does not count copies sold through clubs similar the BMG Music Service, which were significantly pop in the 1990s.[92]
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- ^ "자료제공:(사)한국음반산업협회/이 자료제공:(사)한국음반산업협회/이 자료는당협회와 상의없이 가공,편집을금합니다. - 2001.09월 - POP 음반 판매량" (in Korean). Recording Industry Clan Of Korea. Archived from the original on 2007-06-sixteen.
- ^ Salaverri 2005, p. 943
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- ^ Copsey, Rob. "Albums turning twenty years old in 2020". Official Charts Company. Retrieved 9 January 2020.
- ^ "British album certifications – Britney Spears – Oops!... I Did It Over again". British Phonographic Industry. Select albums in the Format field.Select Platinum in the Certification field.Blazon Oops!... I Did It Again in the "Search BPI Awards" field and and then press Enter.
- ^ Trust, Gary (May 27, 2012). "Enquire Billboard: Spears, Lovato'due south 'X'-cellent Sales". Billboard . Retrieved May 27, 2012.
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- ^ Amazon.co.jp: ブリトニー・スピアーズ, クリスチャン・ランディン, ダイアン・ウォーレン, ジョーゲン・エロフソン, ルパート・ホルメス, ジョージ・テレン, ジェイソン・ブルーム, マックス・マーティン, ラミ, ミック・ジャガー, シャナイア・トゥエイン : ウップス!アイ・ディド・イット・アゲイン - ミュージック
- ^ Oops!...I Did Information technology Once more - Britney Spears: Amazon.de: Musik
- ^ Oops .. I Did It Again!: Britney Spears: Amazon.ca: Music
- ^ Britney Spears, Britney Spears - Oops!... I Did Information technology Again - Amazon.com Music
- ^ "Oops!... I Did It Again (Special UK Edition)". AllMusic. Oct 9, 2000. Retrieved Baronial 31, 2021.
- ^ "Oops!... I Did Information technology Again [Japan 2001 Bonus Tracks]". AllMusic. February 13, 2001. Retrieved Baronial 31, 2021.
- ^ "Oops!...I Did It Again Commonwealth of australia Special Edition westward/Bonus Disc of Remixes And Videos". Record Runner The states . Retrieved Baronial 31, 2021.
- ^ "Britney Spears – Oops!...I Did It Once again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Once more Express LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again Express Cassette". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Once more 20th ceremony edition film vinyl". BritneySpears. Archived from the original on May 25, 2020. Retrieved March 31, 2019.
Bibliography [edit]
- Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Only Hits. Year by year. 1959-2002] (in Spanish). Madrid, Spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.
External links [edit]
- Official website
Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)
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